If you’ve been even slightly tuned into the Pakistani music scene lately, chances are Havi (Abdur Rehman Sajid) has already made his way into your playlist and stayed there longer than expected. There’s a certain emotional weight to his sound that doesn’t try too hard to explain itself—it just sits with you. Especially with many of us resonating with the purana pasla (if you know, you know…), he’s built a space where feelings sound unfinished on purpose, like thoughts you’re still processing long after the song ends.
His latest release Dil Sukoon continues in that same emotional universe, but this time it leans even deeper into contradiction—comfort and discomfort existing in the same breath. In a recent conversation, Havi broke down the idea behind the track, the emotional paradox at its core, and why the people closest to us often end up being the ones who affect us the most. But somewhere along the way, the discussion expands beyond music into love, ambition, emotional control, and his evolving relationship with faith.
What comes through isn’t just a song breakdown—it’s a reflection of how he sees connection, detachment, and everything in between. This article is an excerpt from the YouTube interview.
“What is closest to you, hurts you” — On the concept behind Dil Sukoon
For Havi, Dil Sukoon is built around a paradox rather than a straightforward narrative. The title itself plays into that contradiction—comfort that feels like it exists outside of you, but in reality can only be found within. He shared that this isn’t a one-time thought but something he has been exploring across multiple songs, almost like a recurring emotional question he keeps returning to in different forms.
At its core, the track reflects a very human pattern: how emotional dependence on others often leads to the deepest kind of vulnerability. Havi explained that, in most cases, the strongest emotional impact doesn’t come from strangers, but from people within our closest circles—friends, family, or partners. Instead of simplifying that experience, Dil Sukoon stays in that uncomfortable grey area where emotions are layered, contradictory, and unresolved, allowing listeners to interpret it through their own lived experiences.
“I am a pooky guy, but I also cut cords early” — On love, relationships & red flags
When the conversation moved towards relationships, Havi’s perspective shifted between softness and sharp self-awareness. He admitted that ambition is something that deeply anchors him, sometimes even more than love, because having direction helps him stay emotionally balanced. At the same time, he doesn’t dismiss love—but he also doesn’t place it above clarity, purpose, or self-growth.
On red flags and green flags, he didn’t reduce people into labels. Instead, he focused on fundamentals like loyalty, honesty, and the ability to actually communicate properly. Interestingly, he described himself as someone who can detach quickly if something feels off, but also someone who observes deeply before making that call. For him, relationships are less about categorisation and more about whether there is emotional clarity, mutual respect, and consistency over time.
“My connection with God gave me patience” — On faith, time & emotional growth
Beyond music and relationships, Havi also opened up about his evolving connection with faith and how it has changed the way he processes life. He shared that earlier, he used to be far more reactive—driven by urgency, emotion, and the need for immediate answers. Over time, however, that intensity has slowly shifted into patience and acceptance.
He credited his relationship with God as a key reason for that change, explaining that it has helped him trust timing rather than constantly trying to control outcomes. Instead of focusing on revenge, validation, or emotional resolution, he now leans towards effort over control—doing what he can, while letting outcomes unfold on their own. For him, this mindset hasn’t removed struggle, but it has softened how he moves through it, giving him a quieter sense of stability and faith in the process.
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