This week’s episode of Qarz-e-Jaan deserves appreciation for its natural, relatable, and heart-winning conversations between characters. Asim and Bisma’s relationship is intense yet complicated. Will Dadi’s decision to marry Nashwa to Ammar finally push Bisma to stand up for her rights?
Asim and Bisma: It’s Complicated
Asim loves Bisma deeply but almost hates her inability to stand up for herself. Sadly, that is making him bitter, constantly throwing sarcastic remarks at Bisma—though that is definitely not going to help. He tries to make her see what is going wrong but fails. Years of injustice and having no one to stand by her have conditioned Bisma to accept her situation without any thought of rebellion. With no family or financial support, this house is the only “safe place” she has for herself and her daughter. As she tells Asim, “We are safe here.”
Can we really blame a single mother for thinking this way when she has no help? We still don’t know what happened between her and Asim or why she refused his proposal.
Burhan and Bisma’s conversation was so heartfelt. Where she believes that daughters usher in their mother’s Fate, he turns the argument on its head by saying that perhaps, daughters come into this world so they can change their mother’s Fate.
The scene where Asim tries to reach for Bisma’s hand to comfort her, only for her to move away, was so powerful. For her, the very thought of a second marriage feels like a sin.
Nashwa’s Dilemma
What was truly ironic—and should have been an eye-opener for both Bisma and Nashwa—was that no one except Beenish came to visit or check on Nashwa. Even Bakhtiyar only spoke to the doctor over the phone. No one even sent food for her at the hospital. After all the drama Dadi created over Bisma going without her permission, she herself didn’t bother to visit the hospital even once.
Nashwa’s planned marriage to Ammar is in a way a cycle that is repeating itself after Bisma’s story, in a tragic sort of way. Where Bisma was forced to marry a terminally ill patient, Nashwa might be forced to marry a man who is mentally and emotionally unwell. But will the mother-daughter duo manage to break the cycle?
The drama is doing a great job of delivering conversations that feel organic rather than forced. When Beenish visits Nashwa, it’s such a heartwarming scene that reminds you of your own cousins. Similarly, Burhan and Bisma’s conversation felt natural, and even Qudsia’s light-hearted chat with her daughter had the same authentic feel.
The Slow-Burn Love Story
We love the adorable moments between Nashwa and Burhan. The drama beautifully depicts how they are gradually falling for each other and getting to know one another. This slow-burn romance, with its own complications, is truly heartwarming. The head-bumping scene, Burhan trying to help Nashwa with her shoes, and their entire conversation was cute—especially Burhan’s subtle flirting with Nashwa.
Nashwa’s line, “Bakri cute hoti hai, masoom bhi hoti hai, aur qurbani bhi de deti hai,” feels like a warning about what’s coming next. Ahh, it will be heartbreaking if Nashwa ends up marrying Ammar.
Ammar’s Dilemma
Bakhtiyar forever demeaning Ammar on his achievements, or the lack of them, making him feel he is worthless, bringing up the rape as a blackmailing tool, and totally disassociating his own part in making Ammar into the damaged person he is, was very painful.
On the one hand, we know Ammar is to blame, but on the other, we know that a lot of what he has become is because of his parenting.
When Ammar turns to Sidra to tell her that her say is really not worth much in the family, he sprinkles salt on an open wound. Sidra is totally aware of her significance before her mother-in-law and husband, yet she tries to communicate with Ammar who is communicative with his mother, yet frustrated and angry with his father. Nameer Khan has played the character very subtly; as it is written, both revealing the inner pain and torture he undergoes as well as the ruthless side to such people who end up hurting those around them due to their suppressed anger and emotions.
Ammar and Sidra’s conversation was both sad and painfully realistic. Ammar’s words to his mother—about not putting on an emotional act—were filled with unspoken protests and complaints. She never stood up for herself, which is why she was never able to stand up for him. No one in the house listens to her, so of course, she is powerless when it comes to Ammar’s situation.
Ammar has been cornered and emotionally blackmailed by his father, and it seems like he will be forced into marrying Nashwa against his will. But where will this forcefulness lead, and what will it do to Ammar?
Ammar’s character is not as simple as it seems. He is a criminal, but the drama successfully shows us the struggles behind people like him. Perhaps they alone are not responsible for their actions—it is years of toxicity and emotional trauma inflicted by their families that make them lose sight of right and wrong. The family is just as responsible. If Ammar emotionally or physically abuses Nashwa after marriage, Bakhtiyar and Dadi will be equally to blame.
Sidra and Bisma, at their core, are the same. They have both accepted their fate instead of trying to change their circumstances—for themselves or their children. They might seem different, but they are not. The only difference is their status. In their households, they are equally devalued and lack the strength to fight back.
Point to Note
It is great to note that the drama is showing positive female relationships – Sidra and Qudsia, Beenish and Nashwa and even Faryal’s thoughts about a potential link up between Nashwa and Burhan without any apparent toxic reaction, (although she does seem to like Burhan), is the real-life relatability we want to see in drama characters. And Qarz e Jaan is matching up to it.
Drop us your thoughts on two back-to-back episodes of Qarz e Jaan!
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Qarz e Jaan features actors Yumna Zaidi, Usama Khan, Nameer Khan, Anika Zulfikar, Faisal Rehman, Deepak Parwani, Tazeen Hussain, Daniyal Aamir, Sakina Samo, Salma Asim, Ismat Zaidi, Fajr Sheikh, Tabassum Arif, and Mubassir Khan. It is written by Rabia Razzak, directed by Saqib Khan, and produced by Momina Duraid. It airs on HUM TV on every Saturday
Noticed that you don’t appreciate/notice Usama’s phenomenal work in the drama. Any specific reasons.